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Rubens painted the triptych for the high altar of Antwerp's church of St Walpurgis, which was demolished in That explains the inclusion of Amand, Walpurgis and Eligius on the back side of the wings. The triptych marked Rubens' sensational introduction of the Baroque style into Northern art.
The diagonal composition is full of dynamism and animated colour. The artist had just returned from Italy, with the memory of MichelangeloCaravaggio and Titian painting still fresh in his mind. The Raising of the Cross is the perfect summation of the unruly bravura that marked his first years in Antwerp.
In the centre nine executioners strain with all their might to raise the cross from which Christ's pale body hangs. The dramatic action is witnessed from the left by St John, the Virgin Mary and a group of weeping women and children.
On the right, a Roman officer watches on horseback while soldiers in the background are crucifying the two thieves. In other words, the subject is spread across all three panels. The painting was confiscated by the French in and taken to Paris.
It was returned to Antwerp infollowing the defeat of Napoleon, and installed in the church of Our Lady. During restoration in the s, successive layers of varnish, which had form an even grey veil over the painting, were removed.
The burgeoning talent of the confident young Rubens is more clearly visible now in the intense emotion of the figures, the contrasting lighting, the glow of the labouring bodies and the gleam of the armour and costly robes.Peter Paul Rubens approached art with a passion that had not been encountered since the great masters.
Rubens loved portraying the human emotional and psychological state through the depiction of the body and being an avid humanist, he sought to paint realistic works. The work of Peter Paul Rubens, a Flemish Baroque painter, is widely recognized for its movement, fleshy forms, and allegorical and Christian subject matter.
Part of a series of works commissioned for Marie de Medici, The Education of the Princess depicts Marie studying. Rubens painted the triptych for the high altar of Antwerp's church of St Walpurgis, which was demolished in That explains the inclusion of Amand, Walpurgis and Eligius on the back side of the wings.
The triptych marked Rubens' sensational introduction of the Baroque style into Northern art.
Rubens was a great admirer of Leonardo da Vinci's work. Using an engraving done 50 years after Leonardo started his project on the Battle of Anghiari, Rubens did a masterly drawing of the Battle which is now in the Louvre in Paris.
T/F Bernini depicts his David at exactly the same moment in the story as the versions by his predecessors Donatello and Michelangelo. Caravaggio and Artemisia Gentileschi: Comparison Italian painting of late XVI – early XVII centuries stands in the shade of earlier painting titans such as Rafael or Leonardo da Vinci, and therefore appears to be less known - Caravaggio and Artemisia Gentileschi: Comparison Essay introduction.